[in collaboration with Adela Jušić]
Skenderija is an architectural complex in the City Centre of Sarajevo.
Originally constructed in the late 1960s to house a sports and cultural centre,
it has since undergone various changes and phases of decline and revitalization.
The horizontally stretched flat concrete architecture is a remarkable artefact
of Yugoslav modernism which survived the war without major damage.
Skenderija has been an important center of cultural life in Sarajevo which
hosted, among many other events, the premiere of the famous Partisan classic
“Battle of Neretva”. The complex also included a well known youth center which
burned down in 1992, and an underground shopping mall which exists to this day.
The SubDocumentary project reflects the current status and
use of the Skenderija complex, opening up questions of public space, memory and
the possibility of reconstructing something that used to be a central place of
leisure and commonality during socialist times.
Skenderija is among the very few remaining commercial centers still under state
With the development of new and more modern shopping centres in Sarajevo, it
has entered a state slow demise, with still working shops, temporal use by
artists and little hope for revitalization. Skenderija, once built as a symbol
of modern society, turns into a screen for memory, criticism of
present socio-political conditions and future projections.
In the interviews with the current users, with shop-owners, employees,
with artist who established temporal studio spaces, represent the entire range
of small and collective utopias, of personal and social beliefs and dreams.
Certain thematical threads can be discerned throughout the various
cross-edited statements. These concern the questions of transitional society as
well as personal life situations between past and future. Another topic addressed
in this work is that of art and its role in public spaces such as Skenderija.
The resulting multi-channel installation and the accompanying archive
can be understood as a living monument to the past and also the present of this
place. The artists genuinely allow for the story of Skenderija to be told by
itself, to unfold between the personal statements and memories of its users.
Camera and editing: Lana Čmajčanin and Adela Jušić
Sound editing: Ognjen Šavija
Duration: 00:08:36; 00:07:53; 00:07:39; 00:04:56
Translation assistance: Mike Iacavone
Special thanks to:
Dom mladih, Skenderija
a slide show of historical photographs and a video presenting some impressions
of the shopping mall we see interviews with artists who established temporal
studio and gallery spaces on some of the many vacant commercial premises. In
these conversations, the Skenderija, once built as a symbol of modern society,
turns into a screen for memory, criticism of present socio-political
conditions, but also both personal and collective utopias. Moreover, it touches
upon issues such as the use of public space and the role of art in a